{"id":874,"date":"2025-07-18T15:25:32","date_gmt":"2025-07-18T13:25:32","guid":{"rendered":"https:\/\/www.theatercombinat.com\/wp\/?page_id=874"},"modified":"2025-11-20T17:31:26","modified_gmt":"2025-11-20T16:31:26","slug":"pps_en","status":"publish","type":"page","link":"https:\/\/www.theatercombinat.com\/wp\/pps_en\/","title":{"rendered":"pps_en"},"content":{"rendered":"\t\t
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en \/ de<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\toktober 2021 \u2013 oktober 2025
public performance school<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u00a0<\/p>

CALL
PPS_extended 2025<\/strong><\/a><\/p>

the doors the breath the sound the ground<\/a>
<\/strong>a wandering performative sculpture at belvedere 21<\/strong>
April 2025<\/p>

HAUNTED LANDSCAPE on an unseen wasteland<\/strong><\/a>
a series of urban interventions
september 2024<\/p>

movement choir in haunted landscape\/s<\/a><\/strong>
participants of the PPS as movement choir B in the production haunted landscape\/s <\/b><\/a>by claudia bosse, aspern seestadt
may 2024<\/p>

performance PPS extended<\/a><\/strong>
as part of BETON WUNDER<\/strong> and in cooperation with the vienna architecture summer school
<\/strong>september 2023<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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theatercombinat<\/strong> opens the public performance school<\/strong> from october 2021 to october 2025 for amateurs and professionals aged 20 to 85, providing a practice-based curriculum that imparts fundamental methods of artistic work by claudia bosse.<\/p>

public performance school<\/strong> is an environment for learning performative practice, where experimenting with different forms of knowledge and bodily practice is at the forefront.<\/p>

public performance school<\/strong> creates space for understanding and communicating diverse perspectives on the present through bodily experiences of various generations. participants explore spaces, sounds, texts, and their bodies using performance techniques, training, or scores \u2013 as a choral organism in landscapes or at various locations.<\/p>

public performance school<\/strong> provides an intergenerational space for interested amateurs, as well as artists and activists, fostering the opportunity for collaboration in an ensemble with people from diverse backgrounds. participants aged between 15 and 90 years learn performative techniques together, challenging and empowering each other through mutual support.<\/p>

public performance school<\/strong> tests concrete utopias in shared spaces, community structures, the perception of one’s own body, choreographic modules, and targeted work with breath and voice in settings that span choreography, performance, theater, and urban intervention.<\/p>

public performance school<\/strong> facilitates a continuous and committed gathering of a community over four years (across six weekends each year), along with in-depth rehearsals during the creation of emerging performances.<\/p>

public performance school<\/strong> promotes conscious awareness of our environment and society, alongside its diverse participants and even non-human beings.<\/p>

public performance school<\/strong>, initiated and led by the artist\/choreographer
claudia bosse<\/a>, is expanded by participating international artists and experts involved in the works emerging within the framework of the four-year project ORGAN\/ism – poetics of relations<\/a>.<\/p>

during a period of four years, six modules will be deepened annually, featuring performative experiments and choral constellations under the artistic direction of claudia bosse. movement, sound, text, and experiences are woven into the fabric of collective learning. embracing the risk of relationships in and with various internal and external spaces, as well as diverse landscapes, the continuity of the public performance school creates a foundation for engaging with a collective body of a choral organism. the experiences and knowledge of individuals, combined with artistic techniques, open a new societal space of possibilities. the intergenerational ensemble will become part of the general intellect<\/em> of theatercombinat and simultaneously serve as a laboratory for various bodies and experiences.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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photo: markus gradwohl<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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modules of the public performance school<\/em>:<\/strong><\/p>

module I<\/strong> breath and voice
module II<\/strong> body and space
module III<\/strong> body and body
module IV <\/strong>body and language
module V<\/strong> body and\/as organism
module VI<\/strong> poetic assemblages as\/with landscape<\/p>

concept & artistic direction<\/strong>
claudia bosse<\/p>

participants of the public performance school<\/em><\/strong>
elias austaller, beate maria friedl, daniela graf kunauer, maria harrison, maria ketscher, veronika kritzer, teresa kurzbauer, therese leick, claudia lassing, anna leithner, lou liska, katarina markova, anna leithner, susa muzler, hannah resatz, gerlinde riegler, salphinah savin, mariella schwarten, johanna tatzgern, marlene wagner, silvia weitlaner, christa zuna-kratky<\/span><\/p>

cooperation partners
<\/strong>2022\/2023
kulturhaus brotfabrik<\/a>
2024\/2025
belvedere 21<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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WASTELAND deam\/s<\/b><\/p>

a large-scale performance on the wasteland behind vienna\u2019s main train station.<\/p>

29 august 2025
between alfred-adler-stra\u00dfe & karl-popper-stra\u00dfe, 1100 vienna<\/p>

with:
su huber, lucia mauri, carla rihl, marcela san pedro und lena schattenberg
and participants of the public performance school PPS & PPS_extended: viola bulker, christina burger, salma cherqaoui, ariathney coyne, margaux fievet, daniela graf-kunauer, maria harrison, sophia horak, maria ketscher, veronika kritzer, ani\u010dka labat, claudia lassing, lou liska, susa muzler, mariella schwarten, johanna tatzgern, marlene wagner, silvia weitlaner, hannah zauner, rachele zennaro<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\"01_Kopie<\/figure><\/a><\/div>
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photo: eva w\u00fcrdinger. f\u00fcr fotostrecke bitte klicken!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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the doors the breath the sound the ground<\/b><\/p>

a wandering performative sculpture<\/p>

for the cloakroom, the event space, and the atrium of belvedere 21<\/div>
\u00a0<\/div>

april 27, 2025, 15:45<\/p>

belvedere 21<\/p>

arsenalstra\u00dfe 1, 1030 vienna<\/div>
\u00a0<\/div>
a performance by claudia bosse<\/div>
with 13 bodies from the public performance school<\/div>
\u00a0<\/div>

with<\/p>

maria harrison, ines kaiser, veronika kritzer, teresa kurzbauer, anna leithner, lou liska, susa muzler, gerlinde riegler, salphinah savin, daniela graf-kunauer, marlene wagner, silvia weitlaner, christa zuna-kratky.<\/span><\/p>

assistance: magdalena knor<\/p>

the public performance school PPS is funded by<\/p>

city of vienna culture as part of the conceptual funding 2022-2025 by theatercombinat in cooperation with belvedere 21.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\"Kopie<\/figure><\/a><\/div>
\"PXL_20250427_135933027.RAW-01.COVER\"<\/figure><\/a><\/div>
\"PXL_20250427_135356662.RAW-01.MP.COVER\"<\/figure><\/a><\/div>
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photo: theatercombinat. f\u00fcr fotostrecke bitte klicken!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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HAUNTED LANDSCAPE on an unseen wasteland<\/b><\/div>
3 performative interventions<\/div>
\u00a0<\/div>
september 5, 2024, september 8, 2025, september 10, 2024<\/div>
on an urban wasteland behind the main train station<\/div>
between karl popper street and alfred adler street<\/div>
1100 vienna<\/div>
\u00a0<\/div>
for HAUNTED LANDSCAPE on an unseen wasteland<\/b><\/a> claudia bosse transformed a barren space into an urban laboratory in 2024, gradually altering it over several weeks. In early september, she and participants of the public performance school (PPS) performatively took over the terrain for 10 days. three evenings featured performative interventions presented at dusk with live sounds by musician katharina ernst.<\/div>
\u00a0<\/div>
credits:<\/b><\/div>
concept\/objects\/interventions: claudia bosse; performative interventions: with anna leithner, beate maria friedl, christa zuna-kratky, daniela graf-kunauer, gerlinde riegler, katarina markova, maria harrison, marlene wagner, silvia weitlaner, susa muzler, ines kaiser, mariella schwarten, johanna tatzgern from the intergenerational public performance school (PPS) and ines r\u00f6ssl, rica salchinger, marilies jagsch, levi ezra m\u00fchlbacher, kristina feldhammer, eva louisa ostermaier, marlene aigner, jonah martensen, lou liska, anna khoudokormova, laura gagliardi from PPS_extended 2024.<\/div>
\u00a0<\/div>
the public performance school (PPS) is funded<\/div>
by the city of vienna’s culture department as part of the concept funding 2022-2025 by theatercombinat, in cooperation with belvedere 21.<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\"5_HL_Wasteland_3610_Eva_A3_print\"<\/figure><\/a><\/div>
\"1_HL_Wasteland_2292_Eva_A3_print\"<\/figure><\/a><\/div>
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photos: eva w\u00fcrdinger, claudia bosse.
please click for the slideshow<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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BETON WUNDER<\/strong>
performance with the participants of the PUBLIC PERFORMANCE SCHOOL extended

2. september 2023, 19:00
old WU vienna
augasse 2-6, 1090 vienna
in cooperation with the\u00a0vienna architecture summer school<\/a><\/p>

with\u00a0BETON WUNDER<\/strong>, the artist and choreographer claudia Bosse, together with the participants of PPS extended, develops a performance of various formations and structures on the concrete surfaces of the former university of economics.

Performative organisms emerge among the bodies involved, the architectural structure, and the pioneer plants, which find their way through the sealed ground.
The performance is a walkable collective practice as an invocation of „other“ spaces followed by a concert with live electronics by g\u00fcnther auer.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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photos: markus gradwohl. please click for the slideshow<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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credits<\/strong>
concept\/ choreography: claudia bosse; performance\/choreography: anja major, anna demmelbauer, beate maria friedl, constance steiniger, elisabeth austaller, gerlinde riegler, ines r\u00f6ssl, ines woschitz, judith r\u00fccker, katarina markova, marcel von brasche, maria harrison, maria ketscher, mariella schwarten, marlene wagner, merlina wojta, natascha bonosevich, rica salchinger, sarah hollweger, silvia weitlaner, teresa kurzbauer, therese leick, veronika kritzer, ziva vavpotic.<\/p>

theatercombinat is funded by the city of vienna culture within the framework of concept funding 2022-2025.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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the public performance school<\/strong> works continuously and continues its collaboration with amateurs who have been involved in theatercombinat\u2019s projects for years. as part of the multi-year initiative ORGAN\/ism\u2013poetics of relations<\/a>, the applied performative practice and ongoing work culminate each year in productions that engage with the motifs<\/p>

\u00a0<\/p>

2022: lung, 2023: liver, 2024: heart, 2025: proliferation<\/p>

\u00a0<\/p>

The respective \u201corgan motif\u201d is examined in terms of its specific function in relation to the human organism as well as in relation to non-human organisms. The particular characteristics and functions serve as material for exploring how performative structures can operate together, what kinds of dependencies they may form, and what connections they might have to other organs or parts of an organism.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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www.theatercombinat.com<\/a>\u00a0theatrale produktion und rezeption<\/p>

theatercombinat is funded by the city of vienna culture within the framework of concept funding 2022\u20132025.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

en \/ de oktober 2021 \u2013 oktober 2025 public performance school \u00a0 CALLPPS_extended 2025 the doors the breath the sound […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-874","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.theatercombinat.com\/wp\/wp-json\/wp\/v2\/pages\/874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatercombinat.com\/wp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.theatercombinat.com\/wp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatercombinat.com\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatercombinat.com\/wp\/wp-json\/wp\/v2\/comments?post=874"}],"version-history":[{"count":25,"href":"https:\/\/www.theatercombinat.com\/wp\/wp-json\/wp\/v2\/pages\/874\/revisions"}],"predecessor-version":[{"id":2424,"href":"https:\/\/www.theatercombinat.com\/wp\/wp-json\/wp\/v2\/pages\/874\/revisions\/2424"}],"wp:attachment":[{"href":"https:\/\/www.theatercombinat.com\/wp\/wp-json\/wp\/v2\/media?parent=874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}